Alonso Díaz de la Vega Movie Reviews & Previews - Rotten Tomatoes

Alonso Díaz de la Vega

Alonso Díaz de la Vega
Alonso Díaz de la Vega's reviews only count toward the Tomatometer when published at the following Tomatometer-approved publication(s): El Universal, Butaca Ancha

Movie Reviews Only

Rating T-Meter Title | Year Review
92% Inside Llewyn Davis (2013) Inside Llewyn Davis manipulates those narratives to create an amalgam that seems determined to deform them. [Full Review in Spanish]‐ El Universal
Read More | Posted May 13, 2020
92% Nashville (1975) The concision with which Nashville approaches each subject is amazing. [Full Review in Spanish] ‐ El Universal
Read More | Posted May 8, 2020
96% The Green Fog (2018) Maddin's entire film is a cinephile exercise that reconstructs a masterpiece with pieces from other films or programs. [Full Review in Spanish] ‐ El Universal
Read More | Posted May 8, 2020
89% The King of Comedy (1983) The tone of The King of Comedy distinguishes itself in a very meritorious way. [Full Review in Spanish] ‐ El Universal
Read More | Posted May 8, 2020
86% Night Moves (2014) Night Moves is defined as one of the most original films in its class. [Full Review in Spanish] ‐ El Universal
Read More | Posted May 8, 2020
96% Unforgiven (1992) Unforgiven thus rejects Eastwood's previous filmography and the patriotic speeches of many other filmmakers involved with the western. [Full Review in Spanish] ‐ El Universal
Read More | Posted May 8, 2020
95% The Flower (La flor) (2019) A poem of the unfinished and the imperfect, The Flower is a tribute to broken sentences and badly placed commas [Full Review in Spanish] ‐ El Universal
Read More | Posted Apr 6, 2020
81% Merry Christmas, Mr. Lawrence (1983) His film, like John Wayne's, is neither realistic nor ambiguous, but it is a fascinating essay that finds revolutionary discourse in masculinity subversion. [Full Review in Spanish] ‐ El Universal
Read More | Posted Mar 26, 2020
95% Diary of a Country Priest (Journal d'un curé de campagne) (1954) What is unique about Bresson's film is that the images could go without - I think they should - the words that are used to describe these images. [Full Review in Spanish] ‐ El Universal
Read More | Posted Mar 18, 2020
99% Midnight Family (2019) Lorentzen communicates his ideas well enough. [Full Review in Spanish]‐ El Universal
Read More | Posted Mar 6, 2020
100% Manta Ray (2018) In Mantarraya, these common places are manifested in such an original and ambiguous way. [Full Review in Spanish]‐ El Universal
Read More | Posted Feb 27, 2020
84% Waves (2019) Such an important theme seems to promise a narrative indigestion, but Shultz is gifted with synthesis and an unusual intelligence to change tone between an artificial nightmare and a liberating dream. [Full Review in Spanish] ‐ El Universal
Read More | Posted Feb 19, 2020
84% Distant Constellation (2018) Instead of making her documentary with a direct style, Mizrahi uses the images creatively to reinvent the world she observes. [Full Review in Spanish] ‐ El Universal
Read More | Posted Feb 13, 2020
80% Land (2018) Land's mistake is to sacrifice the vastness of emotions in the process, but a tender dance scene reminds us of the washed out humanity of these people. [Full review in Spanish] ‐ El Universal
Read More | Posted Feb 5, 2020
92% Uncut Gems (2019) Sandler delivers a formidable performance of an annoying winner. [Full review in spanish] ‐ El Universal
Read More | Posted Jan 29, 2020
95% Little Women (2019) It is a correct film in the technique and tender in emotions. [Full Review in Spanish]‐ El Universal
Read More | Posted Jan 23, 2020
99% Parasite (Gisaengchung) (2019) We are before a remarkable degree of narrative skill. [Full review in Spanish] ‐ El Universal
Read More | Posted Dec 26, 2019
94% Marriage Story (2019) The lawyers topic closes with an incongruity: Nicole's gratitude betrays all previous representations of vileness and affirms the superficiality of the film. [Full Review in Spanish] ‐ El Universal
Read More | Posted Dec 20, 2019
100% The Guardian of Memory (El guardián de la memoria) (2019) The Guardian of Memory finds in the camera a resource to do more than only show us his interviewees as many other documentaries do. [Full Review in Spanish] ‐ El Universal
Read More | Posted Nov 27, 2019
96% The Irishman (2019) Scorsese uses references to integrate with his protagonist and offer us an expressive image of himself in old age. [Full Review in Spanish]‐ El Universal
Read More | Posted Nov 20, 2019
55% The Dead Don't Die (2019) Jarmusch returns fully to the political theme, but in a forced and explicit way. [Full Review in Spanish] ‐ El Universal
Read More | Posted Nov 13, 2019
87% Notes on an Appearance (2018) A strange, concise and intelligent film. [Full Review in Spanish] ‐ El Universal
Read More | Posted Nov 6, 2019
96% Thunder Road (2018) While there is an expression of what happens in Bruce Springsteen's songs, on Thunder Road we don't find what it feels like to have lived them. [Full Review in Spanish]‐ El Universal
Read More | Posted Oct 30, 2019
3.5/5 98% Too Late to Die Young (Tarde para morir joven) (2019) Dominga Sotomayor returns to the nostalgia of childhood and finds space, even, for reverie and convention. [Full Review in Spanish]‐ Cine Premiere
Read More | Posted Oct 20, 2019
68% Joker (2019) Joker tries to be serious in a familiar genre, but hold on to the convention. [Full Review in Spanish] ‐ El Universal
Read More | Posted Oct 14, 2019
84% Ad Astra (2019) Gray does not reach Coppola at all, but renews his contract as the only filmmaker in Hollywood worthy of calling him father. [Full Review in Spanish] ‐ El Universal
Read More | Posted Sep 25, 2019
83% Midsommar (2019) A bad editing that leaves loose ends and simplifies the story, is compensated with the formidable production design and the ambitious intention to scare in the morning. [Full Review in Spanish]‐ El Universal
Read More | Posted Sep 18, 2019
80% The Nothing Factory (A Fábrica de Nada) (2017) His portrait of the workers fighting to stay together before individual deals offered by the Company Management is tremendously human. [Full Review in Spanish] ‐ El Universal
Read More | Posted Sep 11, 2019
77% Asako I & II (Netemo sametemo) (2019) It is difficult to ignore that this delicate fantasy of love and destiny is much more intense than it seems on the surface thanks to a filmmaker capable of interpreting passion from silence. [Full Review in Spanish] ‐ El Universal
Read More | Posted Sep 4, 2019
82% High Life (2019) Denis creates a trip to space related to the mystical journey of Stanley Kubrick, but that is autonomous in the visual with its unexpected minimalism. [Full Review in Spanish]‐ El Universal
Read More | Posted Aug 28, 2019
No Score Yet Armed to the Teeth (Hasta los dientes) (2018) The perspective of the soldiers, young and inexperienced men who follow orders, is an important element that expands the critique of the film and also its complex gaze. [Full Review in Spanish]‐ El Universal
Read More | Posted Aug 14, 2019
99% The Chambermaid (La camarista) (2019) The small details form the bulk of Lila Avilés style, with perfect recreations of different social classes - a rarity in Mexican cinema. [Full Review in Spanish] ‐ El Universal
Read More | Posted Aug 1, 2019
4/5 95% The Wolf House (La casa lobo) (2018) Besides explaining a damaged psyche to us, Cociña and León imagine it in front of us. [Full Review in Spanish]‐ Cine Premiere
Read More | Posted Jul 30, 2019
No Score Yet Love Me Not (2017) Avranas learned only to impact but not to question.‐ El Universal
Read More | Posted Jul 24, 2019
90% The Image Book (Le livre d'image) (2019) It is an ambitious work that can not be bounced, which in its challenges and ambiguities constitutes an accurate portrait of who we are. [Full Review in Spanish] ‐ El Universal
Read More | Posted Jul 18, 2019
98% 3 Faces (2019) Three Faces invites us to know the unknown and the subtle, and in this contradiction Panahi doesn't abandon the political but integrates it with the ambiguities of the world. [Full Review in Spanish]‐ El Universal
Read More | Posted Jun 26, 2019
92% Rolling Thunder Revue: A Bob Dylan Story By Martin Scorsese (2019) Scorcese not only celebrates the work of Marcel Carné, but also builds a metaphor about how the art, as an artifice, leads us to the truth. Between inventions and lies, the true. [Full Review in Spanish] ‐ El Universal
Read More | Posted Jun 20, 2019
100% Ghost Tropic (2019) Word written in images, the movie seems to say something big and at the same time simple: Serenity. We do not need much more. [Full Review in Spanish] ‐ El Universal
Read More | Posted Jun 13, 2019
84% The Traitor (2020) The absurdity of the procedures and the impudence of the Mafia create an authenticity that Scorcese would envy. [Full Review in Spanish] ‐ El Universal
Read More | Posted Jun 13, 2019
60% Young Ahmed (Le jeune Ahmed) (2020) The stereotypes, a couple of intensely didactic moments, and an improbable ending mess up the story. [Full Review in Spanish]‐ El Universal
Read More | Posted Jun 13, 2019
61% Matthias & Maxime (2019) Nothing new, not even the "impossible love" plot, although this time it focuses on the doubts of friends that could have been something else. [Full Review in Spanish] ‐ El Universal
Read More | Posted Jun 13, 2019
83% The Halt (Ang hupa) (2019) The tone is uneven and the reflection about the theme somewhat superficial for the long duration of the film. [Full Review in Spanish] ‐ El Universal
Read More | Posted Jun 13, 2019
86% Deerskin (2020) The ridiculousness in general and the unstoppable increase of its tone configure an almost magnificent farce. [Full Review in Spanish] ‐ El Universal
Read More | Posted Jun 13, 2019
71% For the Money (Por el dinero) (2019) As the film parodies Godard elements, it could look inaccessible, but it is actually very charming. [Full Review in Spanish] ‐ El Universal
Read More | Posted Jun 13, 2019
77% Tommaso (2020) It is a self-indulgent exercise, although the intense ending leaves some doubts. [Full Review in Spanish] ‐ El Universal
Read More | Posted Jun 13, 2019
58% Frankie (2019) The camera is here more deliberately tense than ever and it gives us an amazing final shot... Above all: the cast is formidable. [Full Review in Spanish] ‐ El Universal
Read More | Posted Jun 13, 2019
68% Little Joe (2019) Little Joe presents Hausner in one of her best moments in audiovisual terms. [Full Review in Spanish] ‐ El Universal
Read More | Posted Jun 13, 2019
91% Beanpole (Dylda) (2020) Balagov achieves moments as disturbing as formidable with the story of the life of Russian friends months after the World War II. [Full Review in Spanish] ‐ El Universal
Read More | Posted Jun 13, 2019
90% The Lighthouse (2019) Eggers understands very well the fantasy patterns prior to the twentieth century, however his mistake is to bring together everything he knows in a single story that could be many. [Full Review in Spanish] ‐ El Universal
Read More | Posted Jun 13, 2019
53% Joan of Arc (Jeanne) (2019) Actors were chosen more for their faces than for their acting skills, and humor is an exercise based on frustration. [Full Review in Spanish] ‐ El Universal
Read More | Posted Jun 13, 2019