Alberto Abuín Movie Reviews & Previews - Rotten Tomatoes

Alberto Abuín

Alberto Abuín
Alberto Abuín's reviews only count toward the Tomatometer when published at the following Tomatometer-approved publication(s): Espinof

Movie Reviews Only

Rating T-Meter Title | Year Review
24% Devil's Knot (2014) A disappointment that is only partially saved by its actors. [Full Review in Spanish] ‐ Espinof
Read More | Posted May 13, 2020
No Score Yet WUSA (1970) Rosenberg... in his second collaboration with the most famous blue-eyed actor in film history, has rarely been so inspired. [Full Review in Spanish] ‐ Espinof
Read More | Posted May 13, 2020
100% The Raven (1935) 'The Raven' gives us a more than beautiful study on the eternal confrontation between ethics and aesthetics, bringing down all kinds of beliefs about it. [Full Review in Spanish] ‐ Espinof
Read More | Posted May 7, 2020
27% Terminator Genisys (2015) We have an Arnold Schwarzenegger totally dedicated to his best-known character, aware of the passage of time, and laughing at himself and his aptitudes as an actor. [Full Review in Spanish] ‐ Espinof
Read More | Posted May 7, 2020
95% It Follows (2015) 'It Follows' is filled with extraordinary metaphors, all within the film's horror tone and with no lack of scares, that emerge from the most horrifying daily life. [Full Review in Spanish] ‐ Espinof
Read More | Posted May 7, 2020
57% Insidious: Chapter 3 (2015) Whannell repeats situations using jump scares with no care for the atmosphere that Wan portrayed so well, and much less any concern for the composition of the scenes. [Full Review in Spanish] ‐ Espinof
Read More | Posted May 7, 2020
No Score Yet The Indian Fighter (1955) It has extremely violent moments very well filmed, such as the duel on horseback with a machete, reminiscent of the best adventure movies of the time, signed by Richard Thorpe or Henry Hathaway. [Full Review in Spanish] ‐ Espinof
Read More | Posted May 7, 2020
No Score Yet Life Ahead (La vida por delante) (1958) A parade of familiar experiences, bathed, yes, with a certain ironic humor, with which Fernán-Gómez puts his finger on a sore point, allowing some surprising staging solutions. [Full Review in Spanish] ‐ Espinof
Read More | Posted May 7, 2020
80% Juggernaut (1974) 'Juggernaut' is a high level show, a human adventure in which good is represented by perseverance and logic, and evil is the forgetfulness of a country towards a certain class of people. [Full Review in Spanish] ‐ Espinof
Read More | Posted May 7, 2020
9% The Cobbler (2015) Adam Sandler is gifted, away from his usual tics, with a partly grateful character. The pity is that the interesting proposal ends up being more bland than it seems. [Full Review in Spanish] ‐ Espinof
Read More | Posted May 7, 2020
100% Sometimes a Great Notion (Never Give an Inch) (1971) Newman's security, both behind and in front of the camera, is overwhelming. [Full Review in Spanish] ‐ Espinof
Read More | Posted May 7, 2020
No Score Yet The Virgin of Nuremberg (La vergine di Norimberga) (1965) Margheriti opts for a diabolical game of complicity with the experienced viewer, aware of all the traps that the cinema offers. [Full Review in Spanish] ‐ Espinof
Read More | Posted May 7, 2020
64% The Gorgon (1965) 'The Gorgon' is one of the most perfect films by its director, although the truth is that it was never considered well enough. [Full Review in Spanish] ‐ Espinof
Read More | Posted May 7, 2020
95% The Devil Rides Out (1968) The film doesn't offer the slightest respite to the viewer from the first minute, in which the main theme is directly addressed and the characters are perfectly defined by Fisher's camera. [Full Review in Spanish] ‐ Espinof
Read More | Posted May 7, 2020
No Score Yet Sherlock Holmes and the Deadly Necklace (1962) The film suffers a lot with its plot, based almost entirely on chance. [Full Review in Spanish] ‐ Espinof
Read More | Posted May 7, 2020
16% Last Knights (2015) Kiriya's film moves through well-known paths, creating a nice movie that doesn't exaggerate in its digital effects nor treats the viewer like a fool. [Full Review in Spanish] ‐ Espinof
Read More | Posted Apr 28, 2020
71% Jurassic World (2015) Once again MacDonald's cinema at our service: fast consumption and instant forgetfulness. [Full Review in Spanish] ‐ Espinof
Read More | Posted Apr 28, 2020
No Score Yet Revolver (1973) 'Revolver' is also a song to male friendship as was rarely seen before. [Full Review in Spanish] ‐ Espinof
Read More | Posted Apr 28, 2020
57% Pocket Money (1972) A nondescript movie that never takes flight despite the initial interest that the plot of twilight tints seems to have, due to the tone of its photography, the music or the endearing song of Carole King. [Full Review in Spanish] ‐ Espinof
Read More | Posted Apr 28, 2020
87% The Raven (1963) The result can be puzzling, but also highly enjoyable. [Full Review in Spanish] ‐ Espinof
Read More | Posted Apr 28, 2020
No Score Yet Faccia a faccia (Face to Face) (1967) 'Face to face' says something very contemporary. [Full Review in Spanish]‐ Espinof
Read More | Posted Apr 28, 2020
100% San Francisco (1936) The film's visual effects throughout its final section continue to dazzle until this day, and became an example to follow in future productions. [Full Review in Spanish] ‐ Espinof
Read More | Posted Apr 28, 2020
19% The Hitcher (2007) A huge waste of time. [Full review in Spanish]‐ Espinof
Read More | Posted Apr 27, 2020
42% Earthquake (1974) The true finding of the film is in its montage, work and grace of Dorothy Spencer. [Full Review in Spanish] ‐ Espinof
Read More | Posted Apr 24, 2020
No Score Yet La cripta e l'incubo (Crypt of the Vampire)(Terror in the Crypt) (1964) A film that deserves to be seen. [Full Review in Spanish] ‐ Espinof
Read More | Posted Apr 24, 2020
83% Tower of London (1939) Corman worries about "embracing" all his sequences in an elegant way. [Full Review in Spanish]‐ Espinof
Read More | Posted Apr 24, 2020
No Score Yet The Young Racers (1963) The duration is one of the film's tricks, which never gets boring, but shows a certain awkwardness when exposing some of its situations. [Full Review in Spanish] ‐ Espinof
Read More | Posted Apr 24, 2020
42% The Last House on the Left (2009) Violence displayed for its own sake, without coherent dramatic development. [Full review in Spanish]‐ Espinof
Read More | Posted Apr 24, 2020
75% They Might Be Giants (1971) We could all be Holmes and, even more interestingly, Moriarty, in this case spectators without compassion, nor criteria, nor memory, judging, dictating the mental state of the two central characters. [Full Review in Spanish] ‐ Espinof
Read More | Posted Apr 23, 2020
76% The Kindergarten Teacher (Haganenet) (2015) Some of the poetry used is the work of the director himself, from his school days, autobiographical overtones in a film that is subtle to the core, as is the entire sexual subtext. [Full Review in Spanish] ‐ Espinof
Read More | Posted Apr 23, 2020
No Score Yet The Music Room (2018) Elaborate plans..., that show a world in which the celebration of sacred life gradually crumbles into songs which progression in the film accentuates this change of ideals, of new ways of looking at existence. [Full Review in Spanish] ‐ Espinof
Read More | Posted Apr 23, 2020
93% The General (1927) The moments with the cannon, or that of the bridge - the most expensive gag in the history of cinema - are those that are not forgotten. [Full Review in Spanish] ‐ Espinof
Read More | Posted Apr 22, 2020
55% The Age of Adaline (2015) Ross's voice resonates in our heads with the same intensity as it did in Dominik's film, capturing the essence of the story with its kind, direct and serious tone. Unfortunately, the images say otherwise. [Full Review in Spanish] ‐ Espinof
Read More | Posted Apr 22, 2020
44% Kidnapped (2011) The ethical / aesthetic balance simply does not exist in 'Kidnapped', a film for stomachs that are easy to impress -better not to mention the violent prologue- and undemanding. [Full Review in Spanish] ‐ Espinof
Read More | Posted Apr 22, 2020
100% Rio Bravo (1959) 'Rio Bravo' is one of the clearest samples of what could be called "Hawks style", a pinnacle of one of the three genres that the Indiana director handled with enviable style and ease: the western. [Full Review in Spanish] ‐ Espinof
Read More | Posted Apr 22, 2020
100% Greed (1925) 'Greed' is realistic cinema, many years before the Nouvelle Vague appeared, with Stroheim delving into the human soul, as only he knew how to do, bringing out the worst, and also the best, of people. [Full Review in Spanish] ‐ Espinof
Read More | Posted Apr 22, 2020
93% Mission: Impossible Rogue Nation (2015) Tom Cruise continues to enjoy his business by making himself liked, dominating the scene whenever he can, and showing that he is better than ever in continuing to defend the character. [Full Review in Spanish] ‐ Espinof
Read More | Posted Apr 22, 2020
98% The Searchers (1956) It is the silent witness of the bravest, and most wonderfully subtle, love story ever told in the seventh art. [Full Review in Spanish]‐ Espinof
Read More | Posted Apr 22, 2020
No Score Yet Spaceways (1953) Although the film has a somewhat forced ending... it is a highly enjoyable film. [Full Review in Spanish]‐ Espinof
Read More | Posted Apr 22, 2020
30% Fantastic Four (1994) There is no conflict, there is no emotion, not the slightest interest in what happens to the characters. [Full Review in Spanish] ‐ Espinof
Read More | Posted Apr 22, 2020
No Score Yet A Study in Terror (1965) 'A Study in Terror' is worthy entertainment, much more interesting than Herman Cohen's previous productions. [Full Review in Spanish]‐ Espinof
Read More | Posted Apr 17, 2020
51% Manglehorn (2015) Fortunately an Al Pacino, with all the experience behind him, having participated in mythical films, and with essential directors, gives us a whole acting lesson. [Full Review in Spanish] ‐ Espinof
Read More | Posted Apr 17, 2020
37% Cut Bank (2015) It reveals Shakman as someone with enough hand to deliver wholesome entertainment. [Full Review in Spanish]‐ Espinof
Read More | Posted Apr 17, 2020
98% Children of Paradise (Les Enfants du Paradis) (1946) 'Children of Paradise' is a complete fresco from a time in the Gallic country, in which beat mixed feelings, eternal passions, and above all, the joy of those children in the title beat. [Full Review in Spanish] ‐ Espinof
Read More | Posted Apr 16, 2020
100% M (1931) When portraying this world of beggars, Lang makes a sequence that would leave Orson Welles himself open-mouthed. [Full Review in Spanish] ‐ Espinof
Read More | Posted Apr 16, 2020
96% The Rules of the Game (La règle du jeu) (1939) Renoir's camera focuses on characters full of nuances, dedicated to a well-visible and latent game of mirror. [Full Review in Spanish] ‐ Espinof
Read More | Posted Apr 16, 2020
29% The Car (1977) Its greatest success is its atmosphere, achieved by the photography of Gerald Hirschfeld, who had worked for directors such as Sidney Lumet or Mel Brooks. [Full Review in Spanish] ‐ Espinof
Read More | Posted Apr 16, 2020
75% The Haunted Palace (1963) An elegance that unites Lovecraft with Poe, also marking it with Vincent Price's marvelous composition. [Full Review in Spanish]‐ Espinof
Read More | Posted Apr 16, 2020
78% The Life and Times of Judge Roy Bean (1972) Above all, a self-assured Paul Newman stands out, offering a whole recital full of very funny and very emotional moments. [Full Review in Spanish]‐ Espinof
Read More | Posted Apr 16, 2020
45% Stephen King's 'Silver Bullet' (1985) The relationship that the boy has with his uncle, who is brought to life by a funny Gary Busey, is one of the best things in the film, underlining the difference between the adult and adolescent world. [Full Review in Spanish]‐ Espinof
Read More | Posted Apr 16, 2020